Their career would sidestep into darker territories subsequently, but this was their flushed, pop peak. Edwyn Collins and co bagged their first, and last, Top 10 hit when ‘Rip It Up’ was released as a single – and it’s easy to see why. "Traditional" is defined as encompassing all pre-rock styles of popular music; Christmas songs include both religious and secular songs as well as songs about winter which are associated with the festive season. Everyone saw sense soon enough and this pumping, hollering groove topped charts all over the globe. In 2009 it was named the 25th greatest hard rock song of all time by VH1. This song is a painful reminder of just how much more Lennon had to offer musically and as a human being. As the theme song to pivotal 80s teen drama The Breakfast Club, it found its deeper meaning within the story lines of the disenfranchised youngsters in the flick. The following artists were featured in top of the chart for the highest total number of weeks during the 1980s. List of Songs having Songfacts entries and released in 1980. No, it's not just you. Here the punk poet tackled Vietnam, immigration and gentrification. There were still good records to be made but this straddles the eras, anthemic but nasty with enough of a whiff of the underground to keep the early adopters on board. – but it’s hard to glean such subtleties when you’re being battered with a heavy metal sledgehammer. A shiny bauble of pure pop goodness from the fab four. Top Songs of the 1980's Planning a Party? Sorry. Originally penned as an attempt to re-create the disco thrust of ‘Heart Of Glass’, with ‘Atomic’ Debbie Harry and keyboardist Jimmy Destri actually created something that was stranger still. https://www.youtube.com/watch?v=CMThz7eQ6K0. “No you can’t have it back, silly rabbit!” Flavor tells a journalist robbed of his Dictaphone. https://www.youtube.com/watch?v=WR8cvRgW3wk. The song that John Peel played after announcing Ian Curtis’s death is unbearably close and brooding, but allows the occasional shaft of light. Robert Smith aims solely at the heartstrings with a gorgeous, gilt-edged guitar line and some of his most unabashedly starry-eyed and soppy lyrics to date. One could only imagine who the “human trampoline” was though. [sidebar id=”premium_inline_before_last_p”]. Mixing a punk sneer with rockabilly aggression, this track strutted into the mainstream, following the blast of ‘Rock The Casbah’ and managing to show what a diverse and eclectic bunch the quartet had grown into. 1980 Songs Download- Listen to 1980 songs MP3 free online. It strikes a note of regret, a sense this is the best it’s going to get, but – artistically at least – the truth was far from it. It eerily prefigured the future. Diese Liste der disco-Sendungen zählt die präsentierten Musiktitel aller ausgestrahlten Sendungen der ZDF-Musikshow disco auf. It’s become a tin-whistling, string-soaked standard that lost out on the festive No.1 to the mighty Pet Shop Boys but comes back for another crack year after year. But props, too, to Jon Bon Jovi and Desmond Child for their colossal chorus and some “gritty” blue-collar lyrics straight out of Springsteen for Dummies. Still, we all know it’s just a chance to air those patented hiccups, brutally stark beats and an immortal bassline from Louis Johnson. Away from the titanic egos, though, John Deacon proffered one of pop music’s most iconic basslines (though there’s some controversy over whether he wrote it, or Bowie did). John Hughes’ classic teen flick gave ‘Pretty In Pink’ a new lease of life five years after its initial release – and also spurred the Furs into re-recording a fluffier, more radio-friendly version of the track, too – but it’s the jagged original that still sounds best, with Steve Lilywhite’s visceral production lending a dark edge to the strop-pop guitars. Can you imagine Christmas without Shane MacGowan slurring away, Kirsty MacColl double-tracking her own vocals and all your mates bellowing in your face that you’re an “old slut on junk“? Heavens, is that Morrissey being romantic? A few of the songs on Thump's Old School '80s compilation -- like Marvin Gaye's "Got to Give It Up" and Rufus & Chaka Khan's "At Midnight (My Love Will Lift You Up)" -- came out in the '70s. Contemplating his life post- divorce from Carrie Fisher, the song meshed afro-pop with his wonderfully literate, singer/songwriter songwriting style and the results were typically unforgettable. Legend has it that Talking Heads’ main man David Byrne only added the choral intro to ‘Road To Nowhere’ because he thought the track was too simple. Mixing spaghetti western guitar parts, a circular bass solo and lyrics that suggested complete nuclear annihilation, it was one of Blondie’s most experimental and jaw dropping singles. As the cast of Grange Hill would prove later in the decade, it’s nigh-on impossible to sing an anti-drugs song without sounding like a bit of a berk. Between the 1986 vaudeville funk of ‘Parade’ and the following year’s state of the cosmos address, Prince had ditched The Revolution – in name at least – and set about taking full credit for his new clear-eyed vision. 100 tracks (422:53). Enjoy … It floats like a butterfly, hovers like a ghost and really narked Guthrie off because it got so much more radio play than any Cocteaus track. The ageing Toxic Twins or those chaps in the laceless Adidas? Hard to listen to now without getting something in your eye about Bill Murray and Scarlett Johansson in Lost In Translation, ‘Just Like Honey’ revealed there was more to the Reid brothers than devastating shards of noise battling against tinny drums and subterranean vocals. Named after the American plane that dropped the atomic bomb on Hiroshima, ‘Enola Gay’ married Andy McClusky’s brilliantly quizzical vocal and placed OMD’s unstoppable mesh of synths and programmed beats front and centre to create a pop classic. We could talk about Axl’s screeching vocal, of course, but there’s only one real reason why ‘Sweet Child O’ Mine’ is beloved of so many air-guitar aficionados, and that’s Slash – both with the lurching arpeggios of his intro and the subsequent face-melting, wah-wah-wanking solo that’s amongst the best fretwork of all time. Whatever the message, it was a big chart breakthrough. ‘Blue Monday’ – the best selling 12″ of all time – was New Order’s peak; a stunning explosion of drum machine beats, infectious hooks and Sumner’s deadpan vocals. Lindsey Buckingham’s typically progressive production covered the song in a glossy 80s sheen, and would lead to another massive hit for the band from their monolithic ‘Tango In The Night’ album. Whatever you thought of the fashion, the 80s fuelled some absolute bangers. James Hetfield claimed this was about how taking shitloads of drugs makes it impossible to function as a normal human being – whodathunkit! This brilliant, stately number was written by Elvis Costello as a much needed protest track against the Falklands war. Ah, the 80s - whatever you thought of the fashion, 80s music was absolutely splendid? Cameo had been around for donkey’s years, even occasionally sidling into the UK charts with the ultra-smooth funk of ‘She’s Strange’ and ‘Single Life’, but it took an enormous red codpiece and silly twang to make Larry Blackmon a true star. Propelled by war-hammer drums and the bomb-like stomp of him thwacking his guitar, it also has some of the Modfather’s finest lyrics to boot as its righteous damnation of the Government’s nukes-over-society policy cemented his place as one of the UK’s greatest social commentators. Landing somewhere between Parliament, hip-hop and spaghetti western, ‘Word Up’ is a ridiculous stew of pop madness that just worked, all the way to No.3 in the hit parade. Penned from the perspective of ship workers in Britain at the time of the 1982 war, it was a bold message of non-compliance. List of #1 Pop Singles for 1980. Ausstrahlung: 21. He’s talking gibberish, surely: the slow-burn beginning is fantastic, true, but the whole ruddy song – with its balmy organ waltz and irrepressible feel-good factor – is the sound of Talking Heads at their most wonderfully accessible. Punk survivor Cherry sounded effortlessly in control as she rapped about her crew (based on the very real Buffalo crew), making the listener feel totally part of her world. ‘She Bangs The Drums’ saw the Roses tipping their caps to the ephemeral moments one has with a new sweetheart, with John Squire later comparing it to “staying up til dawn and watching the sun come up with someone you love.” The penetrating bass, and the ‘endless summer’ vibe of the music, expressed these emotions with perfect eloquence. Originally offered to a host of artists including Bryan Ferry, The Pretenders and Billy Idol, it fell to Simple Minds to take this track and turn it into Top 40 gold on both sides of the Atlantic. Filled with subtle references to the Mafia and the dangerous side of Vegas, it centered on the story of two young lovers on the run, which gave the track an added resonance. For better or worse, ‘The One I Love’ was REM’s big push through the commercial barriers, a US top 10 hit transforming them in one fell swoop from floppy-haired college radio darlings to bald-bonced plane-trashing heroes of the glossy monthlies. Years ahead of the shoegazing scene that desecrated then tranquilised his style, Kevin Shields was building walls of noise that played around with the very concept of tempo and sound. Yet there’s something about The Boss’s masculine-yet-balmy vocal that’s immensely comforting; dreams are dashed, the river runs dry, but somehow, everything is gonna be alright. With ‘Three Feet High And Rising’, De La Soul’s pivotal rap album, the trio ushered in the Daisy Age- a touchy-feely era which contrasted with the harder, more gansta rap elements in the scene. http://players.brightcove.net/19012535001/default_default/index.html?videoId=1490891848001. The genius of Graham Massey and his Manchester raveheads was to take the standard building blocks of techno and house, before twisting and molding them into something else entirely. Quincy Jones didn’t want the song on the album, which shows what he knows. ‘Love Action’ boasts at least three warring synth riffs – from Ian Burden, Philip Adrian Wright and Jo Callis feeding his guitar through a Roland 700 – each of which could fuel a Top 3 hit by itself. It’s all about Richie Sambora’s talk box really, isn’t it? https://www.youtube.com/watch?v=1YrXY4isgLs. The drama of Almond’s delivery went perfectly with the chilly brooding synth lines Ball had crafted. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. Here, they struck gold with this searching, rap-pop gem which sampled ‘Multiplication Rock’. As it was, it didn’t matter that he was hitching a ride because the song was perfect – odd, self-referential and as pure pop as he’d never be again. März 1980 after a messy break up, this was a soft rock anthem which remained atop of the UK singles charts for weeks and weeks. A sampling masterpiece from Bomb The Bass, aka producer Tim Simenon, who lays down an explosive foundation of bowel-slackening beats before weaving in random snippets of sound from, amongst others, Thunderbirds and The Good, The Bad And The Ugly over the top. https://www.youtube.com/watch?v=YnxDRJzaXmc. 1980 S Songs free download - AVG AntiVirus Free, Spotify: Listen to new music, podcasts, and songs, Spybot - Search & Destroy for Windows XP, and many more programs The Billboard Hot 100 chart is the main song chart of the American music industry and is updated every week by the Billboard magazine. “To die by your side/ Well, the pleasure, the privilege is mine” bears the hallmarks of classic Moz – overdoing it a bit, laying on the language – but there’s an unmistakable poignancy here. Old Merrytale Jazzband It’s Tight Like That Musikladen 3 Ausstrahlung: 21. It became their trademark song, and for good reason. A slice of Freudian autography, the deceptively simple music was played by the man himself. The people of Britain were “getting angry”, and this was mirrored in the song’s haunting production and sense of dislocation. Pink Floyd – Comfortably Numb. Released as the lead single from his seminal Purple Rain album and film, the bass-free ‘When Doves Cry’ was a thing of graceful beauty. Whatever happened to the hippie dream? It opened new vistas for the band, making them the stars they always knew they were. You cheer him on all the more. The title track from Kate Bush’s comeback album (after only three years away – those were the days) is a hearty rush of passion, a headlong tribute to the unfettered impulses of love, heavy on the drums and swooping on the strings. A smash No.90 hit, ‘Made Of Stone’ nevertheless brought the Roses to wider attention, making some waves on the indie chart and encouraging the kids to check out the album that would become their all-time favourite. Featuring a fistful of samples, this pivotal rap tune would be the foundation of a number of soul numbers including tracks from Soul II Soul and Enigma. JAMC’s second album ‘Darklands’ proved they’d tidied up since the thrilling mess of ‘Psychocandy’. The Bunnymen’s lasting classic has a Hollywood ending – an appearance in 2001’s Donnie Darko that introduced them to a legion of new fans. It’s Spinderella’s record, scratching and diving between the proto-rave synths, while Salt-n-Pepa limit themselves to the occasional quickfire verse. US label boss Seymour Stein said it was “the ‘Stairway To Heaven’ of the 80s,” but though ‘How Soon Is Now’ was just as expansive and epic a beast as the Led Zeppelin classic, it beat with a far darker heart. Of course, like all the best songs created from samples, it stood alone as a brilliant disco-dance number. Sitting pretty between ‘Everything’s Gone Green’ and ‘Blue Monday’ in New Order’s early 80s run of astonishing singles, ‘Temptation’ is about as close as they came to a pop song at that point – there was just too much groundbreaking sonic exploration to get caught up in. The one that got the Mondays on Top Of The Pops is a far cry from the sequenced beats of ‘Pills ‘N’ Thrills And Bellyaches’ that established them as baggy chiefs. Still groovy as a hepcat, ‘Sign ‘O’ The Times’ is stripped back like Sly Stone’s ‘Family Affair’; all the better to focus on a lyric that bemoans drug addiction, HIV and the damned space race. No. Chet Baker’s mournful trumpet solo – thought to be his last recorded performance – also added gravitas to the track. Top 50 Pop Songs of the 1980's YouTube Playlist: https://goo.gl/UBYVNW Spotify Playlist: https://goo.gl/c7ZysX The Triple X-rated nature of this track should not overshadow how absolutely vital it was to the nascent commercial dance scene. During the 1980s the chart was based collectively on each single's weekly physical sales figures and airplay on American radio station. Stephen Morris’s pattering drums rouse ‘Atmosphere’ from troubled slumber, while Bernard Sumner’s glittering, chiming keyboards give it a bright beauty. Though New Order’s dancefloor fillers were far removed from Joy Division’s bleak nihilism, there was a no nonsense approach to both that united Bernard Sumner, Peter Hook and Stephen Morris’ two ventures in direct and uncompromising brilliance. One of the greatest songs from one of the greatest albums (‘Daydream Nation’) by one of alternative music’s greatest bands, ‘Teen Age Riot’ is essentially one awesome track split in two: a woozy, otherworldly intro featuring Kim Gordon’s ghostly spoken-word poetry, and then a belting, high-octane guitar riff that ushers in Thurston Moore’s yelped vocal. Robert Smith’s beautiful slice of pounding acoustic-pop was a surging, multi-tracked work of wonder that continued the band’s run of brilliant singles, following ‘The Love Cats’ and preceding ‘Close To Me’. If only all debut singles were as self-assured as The Sundays’ inaugural bow. Listen to Hindi Retro Hits 1980 Music Playlist on Gaana.com. Naturally, the song that broke sampling into the UK mainstream was a collaboration between two obscure 4AD bands and a couple of DJs. Despite the sweet ‘n’ sugary melody and big, glacial chunks of shimmering guitar, there’s a dark underbelly – the disturbing Lolita-like tale of the romantic frisson between a 5-year-old girl and her would-be suitor, who just so happens to be a 50-year-old bloke. Creepy, but bloody brilliant all the same. The Smiths’ second single succeeded where ‘Hand In Glove’ had failed, piercing the Top 30 and getting a bunch of gladioli on Top Of The Pops. https://www.youtube.com/watch?v=7q5WjYjzrEQ. Both of which allowed Frank Black to emote over the top, going batshit in the vocal department. Years Unknown: 136 songs: 136; Till 1950: 1938 (23) 1940 (14) 1941 (24) 1948 (15) 1949 (10) He achieved this with his songs "Faith" and "Careless Whisper". A song about the colonization of Native Americans in the New World could have been as dreary and sanctimonious as fuck, but Iron Maiden spit in the face of anyone who dare call them preachy. Pivotal in its use of samples, Mark Moore borrowed from songs by the likes of Gil Scott Heron, Debbie Harry and Stacey Q for this acid house banger. Obviously hip-hop’s evolved, got madder, got badder, got blander since 1988 – but let’s not forget NWA’s impact. List of Malayalam Movie Songs By Year. Songs have been written about every topic imaginable, but the best ones -- from swooning '50s ballads to contemporary club bangers -- have been penned about the ups and downs of being in love. But look at that Jesus Christ pose on the sleeve, listen to the talk of “sacrifice” – there was more going on here, and a killer middle eight to boot. But he didn’t like the sound of “Andalou” so switched it to “Andalusia”. He is one of two recording acts to achieve more than one year-end Billboard Hot 100 number-one single in the history of the chart, with the other being The Beatles, who also had two year-end number-ones. Yet with 1987’s ‘Music For The Masses’, Depeche Mode were in a rich vein of form, and ‘Never Let Me Down Again’ is one of their very finest: an ink-blotted masterpiece, from the gloomy synths right down to Dave Gahan’s molasses-rich vocal. A generation uniting number that would alter Prince’s career, confirming his place as a titan of 80s pop. Januar 1980 – 3. Talking Heads and Brian Eno created this most postmodern of tracks. Quite a sweet chorus for a Pixies song, really, but nicely offset by some deranged Black Francis screaming about “GOD is seven!“. All that “If the devil is six…” business was supposedly a jumbled reference to Hebrew numerology, a truly apocalyptic slant to the rest of ‘Monkey Gone To Heaven’ which has more immediate environmental concerns. the top rock songs of 1980 in order: 1980 Number One Pop Song Calendar. (This does not include the, This page was last edited on 18 January 2021, at 07:25. ‘Hallelujah’ is a mess in the fine tradition of ‘Bummed’, a dirty loping funk held together with sticking plasters and – in all probability – Shaun Ryder’s “junk”. It shifted a million copies here to become 1982’s biggest selling single, then dosey doed over to America the next year to repeat the feat. 1980 Rock Top 100 Songs. A Number one in 17 countries, Marc Almond and Dave Ball stepped out the British avant-garde synthpop scene to produce something that was a pure pop statement of intent. Even with the inexplicable slip, it's hard to fault the contents of a disc featuring nothing but number one R&B hits. Throw in Dre’s frightening production and ‘Straight Outta Compton’ was a threat people took seriously. https://www.youtube.com/watch?v=dLBx3g8cowY. Februar 1980 – 24. A 4AD supergroup put together by head honcho Ivo Watts-Russell and featuring Cocteau Twins’ Robin Guthrie and Liz Fraser, This Mortal Coil took up residence in the indie charts for most of the decade with this spectral cover of Tim Buckley’s earthy ballad. But combining it with a gigantic gospel-tinged chorus the world could sing along to? The first taster from their ‘Reading, Writing And Arithmetic’ LP is a lovely breeze of jangling indie-pop reminiscent of Johnny Marr’s work with The Smiths, but singer Harriet Wheeler’s remarkable set of pipes – with her ethereal, wistful whisper – ensured they had a sound entirely of their own. Februar 1980 – 2. This article is about the American Billboard Hot 100 chart held during the 1980s. Here's our list of the best 80s songs https://www.youtube.com/watch?v=AWtCittJyr0. Words: Ben Hewitt, Matthew Horton, Priya Elan. And, to top it all off, it ends with the sound of someone puking their guts out – always the sign of a killer party. list of one-time top 20 makers and others with one … ‘Buffalo Stance’ came along at a time when dance, hip-hop and pop were creating thrilling hybrids (see also ‘Salt N Pepa’s ‘Push It’ and Tone Loc’s ‘Funky Cold Medina’). Nowadays, the video looks at best naff and at worst a bit pervy, as Simon Le Bon and co hop aboard a speedboat and whip out their binoculars to ogle some bikini-clad beauties. Hip-hop’s biggest ticket to the mainstream came when Run-D.M.C. Over 30 years later, it’s still unbeatable. That told ’em. Some think it’s about him and Johnny Marr, pals forever as they fall under a 10-ton truck, but it’s probably just a fantasy unfurling around the soaring strings. These Chicago DJ Pros KNOW the Eighties! 2 Roger Waters – 25. Pink Floyd with their album “The Wall” and their single “Another Brick in the Wall” prove to be megahits. If only every attempt to tackle strife in the Middle-East were as joyous as this. Ah, the 80s. ‘Like A Prayer’ was her prude-offending Watergate, in which she scandalised the church by cavorting with a black Jesus and doused every scene in more religious imagery than the Vatican. Originally called ‘The Chemist Façade’, Madness’ most ridiculously happy tune was actually about the horror of going to the pharmacy to buy condoms for the first time. It’s a Byrdsian jangle with that essential Madchester swagger and bite from Ian Brown’s lyric, later better known for devolving into cries of “Amateurs!” as The Late Show‘s power blew. It wasn’t just a key song in the C86 tape movement, it was a key moment in Primal Scream’s career. Jim’s vocals are still bottoming out, but some classic ‘Be My Baby’ drums and a hook as clear as a bell open a new JAMC chapter. The guitarist rescued the tool from mid-70s Peter Frampton ignominy, to give us the “ooh-wa ooh-wah” sound that ate the world. But it was Rakim’s brilliantly humble rap that elevated this track into the realms of the truly legendary. Add to that synthesized horns that actually work and a melody that’s bottled melancholy, and it’s another regal single from Tennant and Lowe. Supposedly written by frontman Mike Scott on the back of an envelope to show-off to his girlfriend, ‘The Whole Of The Moon’ is undoubtedly The Waterboys’ definitive track – a moon-soaked ditty that’s full of dreamy, wide-eyed wonder. From the squall of 1977’s ‘White Riot’ to this 1982 parting shot. Soured by vast overexposure at weddings and school discos, Kevin Rowland’s raggle-taggle hymn to a sepia past – and unseemly plea to cop a feel – is still an extraordinary fiesta of celtic soul. The peak of AC/DC’s lithe, fat-free years. Splutters into life with the wheezing strains of a dusty harmonica before exploding into a full-blown yarn of a dwindling country economy in which times are hard and work is scarce to find. Plucked from their colossal album ‘The Joshua Tree’, its combination of shimmering, sheeny production and Bono’s walloping vocals saw them rightfully claim their place in rock’s big leagues. In March 2005, Q magazine placed it at number 31 in its list of the 100 Greatest Guitar Tracks, and in 2008 Rolling Stone Placed it number 18 on top 100 of Best Guitar Songs of All Time. Das 1980 zusammen mit “Fast Eddie” Clarke und “Philthy Animal” Taylor eingespielte “Ace of Spades” ist das wohl bekannteste Beispiel für diese Herangehensweise und verbindet Glücksspiel-Metaphern mit ungestümer Musik, die Punk oder Speed Metal gefährlich nahe kommt. Now that’s what we call a comeback. Musikladen 41. Follow @TC_dave. Let’s just forget that it was unforgivably plundered by Vanilla Ice at the turn of the 90s. Who left the kettle on? It’s all drenched in strings, nostalgia and pathos as Moz starts filling up about greased tea and grey proms, spooning on the melodrama until we’re all remembering miserable holidays in the English rain. As hip-hop and techno set the cultural pace at the close of the 80s there weren’t too many thrills going on in rock, a wasteland of post-MTV excess. Public Enemy’s first UK top 20 hit (they never had one of them at home) is as naggingly catchy as any hip-hop smash had to be back in 1988, a relentless squirt of whistles and looped beats absolutely peppered with quotable rhymes and Flavor Flav madness. Nirvana became one of the biggest bands on the planet in the 90s, but Kurt Cobain was already proving himself as a master craftsmen before that. One of the finest examples of Mark E Smith’s musical mantra of “Repetition, repetition, repetition”, as The Fall’s curmudgeonly ringmaster incessantly shrieks the chorus over the off-kilter hook of a honking horn. 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